What Happens When Mastering Is Done in an Untreated Room
What the Room Is Actually Doing Mastering depends on hearing what’s really there. An untreated room makes that difficult in ways that aren’t obvious while you’re working. Low frequencies build up or cancel unpredictably. Reflections smear transients and stereo detail. Certain ranges feel louder or quieter than they actually are. You don’t notice the room doing this because you’re inside it. You make decisions that feel correct in the moment, but they’re based on a skewed picture. How It Shows Up in Finished Masters When I receive a track mastered in an untreated room, the issues tend to repeat. I... More.