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VCA Compression to Maintain Dynamics in Mastering?

VCA Compression to Maintain Dynamics in Mastering?

VCA Compression to Maintain Dynamics in Mastering? THE PROBLEM A lot of people hear “master bus compression” and think it means the record is about to get smaller. That happens when the compressor is doing the wrong job. If you’re leaning on it for loudness, or trying to make it solve a balance issue, you’ll shave off the front edge that makes a mix feel alive. The result is usually a flatter groove, less contrast between sections, and a limiter that has to work harder anyway because the peaks never got disciplined in a controlled way. The version of this... More.

A Real World Gear List for Flawless Home Recording

A Real World Gear List for Flawless Home Recording

Why This List Exists You’d want a list like this because shopping for home recording gear is a mess. There’s an overwhelming volume of models and manufacturers, and most advice ignores the actual problem: getting a clean vocal into the DAW without bleed, clipping, or tonal lies. Gear quality matters because it determines what you print on the way in. If the mic breaks up when you get loud, if the headphones leak into the take, or if the interface front end can’t keep dynamics under control before conversion, you don’t “fix it later.” You just spend longer making compromises.... More.

A Mastering Limiter With Color

A Mastering Limiter With Color

The Problem I loved the sound I was getting from the Neve RND542 Tape Emulators, a pair of which I had strapped across the outboard mastering chain. But the units had to have the silk unit reset each time they were turned on- not a big deal, but what was a big deal is that there was no way to truly recall the settings flawlessly, as they were pure analog knob-controlled. What I Did Tried out the harmonics section of the Bettermaker Mastering Limiter, and matched each of them them as closely as I could to the RNDs’ Silk Red... More.

About Dume41

Dume has been producing, recording, and mixing hip hop records since 1996, and mastering them since 2005. He is the founder of the record label Fresh Chopped Beats, where he has worked on music featuring artists such as Abstract Rude, Afu-Ra, Gabriel Teodros, Geologic/Prometheus Brown, Jeru The Damaja, Khingz, King Khazm, Macklemore, Percee P, Sean Price, Sir Mix-A-Lot, Sizzla, Specs Wizard, Vitamin D, and many, many others. His mastering chain is built around a high-end analog hardware setup designed to add depth, warmth, and polish while keeping the artist’s intent intact. To work with Dume on music contact him here.